mildred pierce zine


GAYLORD PHOENIX gets collected
December 1, 2010, 1:01 am
Filed under: art | Tags: , ,


Gaylord Phoenix, a wonderfully radically queer world in minicomic form by Chicago artist Edie Fake (Mildred Pierce #4 cover artist!!), is now available collected in this gorgeous book. We’ve got an *xclusive* (well, we could say that) interview with Edie about the project in MP4, so we won’t say more than yeah, it’s awesome. Congratulations, Edie!

Help celebrate in Brooklyn and Chicago this week and next:

NYC release party is at Cinders Gallery (103 Havemeyer St, Brooklyn) on Thursday, 12.2 at 7pm;

Chicago release party‘s at Quimby’s (1854 W North Ave)  on Thursday 12.9 at 7 pm.

The book’s available through Secret Acres.

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Sabrina Chap! a teaser
September 29, 2010, 5:16 pm
Filed under: interview, music | Tags: , , ,

photo by Dave Sanders

In the works for MP4 is an interview with Sabrina Chap, musician, playwright, burlesque performer, writer, editor, all-around dynamo. She edited the anthology Live Through This: On Creativity and Self-Destruction (Seven Stories Press, 2008) — I’ve posted her responses to questions about the collection over on Montevidayo in three parts: one, two, and three.

Here’s a short excerpt of our interview about Oompa!, her debut CD (ERT Records, 2010):

I’ve been songwriting for years. Years. This is the first time I’ve been brave enough to say, “Fuck it. I think these songs are good enough. Let me put them down so I can get on with my life.” I’ve had people ask me for CDs ever since I started songwriting. First ten songs I had- people were like “Where’s your CD?” I was like, “They’re my first ten songs. They’re not very good.” (Though I’m not gonna lie: a few of them were pretty good). Still, I was getting people giving me their CDs for free left and right at every coffeehouse I went to, and I’d go home to listen to them and they’d suck. And then I’d throw them away and feel awful, because it was wasteful. In fact, that was why I wasn’t shy about making chapbooks and selling them when I was a spoken word artist. I though, “Fuck it — if someone doesn’t like it, they can just recycle it and I won’t have to be filling landfills.” You can’t recycle bad CDs. I’m really hard on myself, and I didn’t want to put out a bad one.

When I got into the studio with Oompa!, it really was because I was straight up proud of these songs. “Never Been a Bad Girl,” “Idiom,” and “ Little White House”: That’s good songwriting. I’ll argue it in court.

Saving the rest for the print issue — January 2011. And that one is firm.