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Starving Artist Interview #5: Davis Schneiderman
January 25, 2010, 1:47 pm
Filed under: art, interview | Tags: , , , , , , , , ,

Davis Schneiderman swoops in from above to scavenge more dead, dying, & live! writhing with desire! language while eagerly mocking us all. Davis was interviewed in MP#3 about collaborative fiction and his novel Abecedarium. Since then, here’s the news:

My novel, Drain, will be published in June 2010 by Northwestern University Press, with a fantastic afterword by Megan Milks. It’s about a near-future where Lake Michigan empties of water, and all sorts of crazy starving-artists stuff goes down. Why not pre-order a copy for your loved ones here? And I am trying to blog more often here.

1) If/when (now or in the past) you have used the term “starving artist”** in relation to yourself, how literal are we talking in terms of actual starving? What would you count as part of the territory that comes with being a “starving artist” and what would you disallow?

Davis Schneiderman

I use this term when reading Kafka’s “The Hunger Artist” which is sometimes translated as “The Fasting Artist” or “The Starving Artist” and fills itself with ennui and anonymity at the decline of public interest in the starving-artist spectacle. I read the story, conversely, after a feeding frenzy that consumes everything possible at the local all-you-can-eat/eat-all-you-can buffet establishments: Chinese and American. How much lo mein can i eat in one sitting? Can i make a steam-table parcel of reddish-pink Alaskan snow crab legs disappear by the time you finish a series of slow belches? Just you watch me, Kafka, just you watch.

2) What would you say is your general level of starving as a starving artist? By that, I mean, when you look around you, or think about starving artists in history, how would you place yourself in a kind of spectrum?

Less than Ghandi. More than Ben Kingsley.
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Starving Artist Interview #4: Leeyanne Moore
January 15, 2010, 11:05 pm
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Our series of Starving Artist Interviews (defiantly sans scare quotes!) continues with fiction writer, playwright, and longtime MP contributor Leeyanne Moore on the hard times and the life skillz she got out of em:

The marvelous Leeyanne Moore reads as part of MP's Issue 3 release party at the Bridge.

The starving-est time had to be when I took the big leap. After years of earning only minimum wage, I was working at an after-school program. I got no respect, not enough hours, and hated the alky boss with a passion that left me stinking with rage. I literally suffered from Rage-Sweat, each night peeling off my clothes to take a bath (our little attic appartment only had a bath stuck under the eaves) and my husband and I would notice how badly I stank from the stress.

So I quit and decided to start teaching creative writing workshops to children and teens. I kinda snuck in under the radar at this arts organization where I’d started taking writing workshops myself, and sent out fliers in the summer. The first day of the first week, no one came. I sat there alone at a table with paper and colored pens and felt pretty bad. But when I got home there were two messages on the answering machine and the second day of class I had three students. The fourth student showed up by walking into the room through the emergency exit. She had Asperger’s but was an awesome writer and I was on my way to never being employed by anyone else again.

I think that being a full time writer takes that same kind of business creativity that it takes to start a business. As someone once said: a lot of people are talented writers. The most successful writers are talented at managing their talent. For me, teaching those workshops became a set of life lessons in being entrepreneurial that have stayed with me. The most successful times I’ve had as a writer have had the same feel as that breathtaking plunge where I left behind the regular paycheck once and for all.